(InDance, October 2015)
PICTURE A BUDDHIST. What comes to mind? A red-robed monk or nun sitting patiently on a cushion, lips gently smiling, eyes closed, legs crossed in Lotus Pose?
Or perhaps you picture Tina Turner, or Richard Gere, or another famous pop culture Buddhist?
For most of us, it’s definitely not an athletic, barefoot, nude-leotard-clad dancer bounding elegantly across the floor on a brightly-lit stage.
San Francisco-based choreographer and dance filmmaker Claudia Anata Hubiak’s contemporary dance company, The Anata Project, suggests an unconventional new Buddhist prototype. Since 2011, inspired by the Tibetan Buddhist concept of anata (“egolessness,” or the notion that there is no such thing as a permanent, unchanging self), The Anata Project has produced dances and dance films that take a genuine and unflinching look into the unguarded mind and heart. Its interdisciplinary conceptual foundation stands at the cutting edge of the meditative melding of body and spirit, seeking to break new ground in the worlds of modern dance, mindful embodiment, and Buddhist art.