(Tricycle: The Buddhist Review, October 2017)
How do you have a conversation about “enoughness” in a city that is constantly hustling to create the latest million-dollar app?
San Francisco-based Buddhist choreographer Claudia Anata Hubiak’s latest work, Point of Dissolve, contemplates the tension between effort and ease and counters the idea that working harder leads to greater self-worth.
Hubiak’s dance company, The Anata Project, is a hybrid of Buddhist principles and contemporary movement arts, rooted in mindfulness, groundlessness, and embodiment.
At her company’s core is the concept of anatta, a Pali word that translates as not-self or egolessness. It also happens to be Hubiak’s middle name, given to her by the renowned Buddhist teacher Chögyam Trungpa Rinpoche, whom her parents studied with.
Point of Dissolve “addresses the cultivation of joy within a continuum of effort and ease,” examining the existential question of what it means to be “good enough,” to relax into what is without constantly striving.
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